This assignment required me to take a photographed vehicle and transform it using symmetry, brushes, and my creativity. After putting a picture of Staples Center as my background and blurring it, I duplicated the layer that had my original car (the blue Nissan 350Z) on it. I used Flip Horizontal and integrated the two parts together to make a symmetrical vehicle. I then took the doors of a white SUV and integrated it into my image, placing them at near the tires. My third change involved creating a layer mask of the two doors of a hippie van and placing them in the center of my car. To embellish the image somewhat, I created a layer mask of the tires of a Ford F-150 and replacing the 350Z's tires with those.
With the gist of it done, the only thing left was to add effects. I took a picture of an antenna and a Dallas Cowboys banner, and combined the two to make it look like a flag. I downloaded a classic rock brush off Brusheezy.com and painted some classic rock images on the doors. Then I grass-brushed the entire top of the car to give it a fur-like effect. I then added Dark Strokes and Fresco texture effects to the doors, as well as Plaster effect on the tires, to give it a more flashy, unique, and surreal look.
Thursday, March 31, 2011
Tuesday, March 29, 2011
Value Range Essay
My value range images were taken near the Richland canal. A classmate took pictures of me in various poses, all while keeping the camera focused on the same spot. So I had to make sure to stay within its range, as well be aware of the lighting.
The main challenge for this assignment was to integrate all three images into a single one and change the lighting for each image to give the final image a uniform blend of consistent lighting; that way, it would look more believable. The main tools I used were the Dodge and Burn tools. The dodge tool was used on the left and right images (on my face and arms), since they were partially darkened by shadows. The burn tool was used on the shadows. As well, I went to Lighting Effects and used different spotlights (such as Normal and 2'o clock) to focus more light on the left and right images. The finished product looks, in my opinion, pretty believable.
The main challenge for this assignment was to integrate all three images into a single one and change the lighting for each image to give the final image a uniform blend of consistent lighting; that way, it would look more believable. The main tools I used were the Dodge and Burn tools. The dodge tool was used on the left and right images (on my face and arms), since they were partially darkened by shadows. The burn tool was used on the shadows. As well, I went to Lighting Effects and used different spotlights (such as Normal and 2'o clock) to focus more light on the left and right images. The finished product looks, in my opinion, pretty believable.
Comic Book Essay
This comic book is basically a montage of all my images from Unit 2, all compiled into a comic book. I have my Past and Future images on the left, my Value picture spanning the third of the page, and my Space image on the bottom left corner.
To make the starbursts, I used the polygonal lasso tool the best I could. I then added text to the starbursts using a nice comic-book style font. The background was made using a Photoshop grass brush and giving it a red-orange color. For the title colors, however, I used a gradient.
To make the starbursts, I used the polygonal lasso tool the best I could. I then added text to the starbursts using a nice comic-book style font. The background was made using a Photoshop grass brush and giving it a red-orange color. For the title colors, however, I used a gradient.
Thursday, March 24, 2011
Tuesday, March 8, 2011
Shape Essay
For this assignment, we made two self-portraits from the same original picture. One image was to be an "ancient" version and the other was to be a "futuristic" version of ourselves. My first image is of myself in a 1960s setting, complete with hippie outfit and hair. Standing next to a hippie van decorated with psychedelic colors and designs, I sport a thick mustache along with a Led Zeppelin-type hairstyle. Instead of keeping the blue sweater I had on, I created a layer mask of a Sergeant Pepper's uniform and fitted it over my body, rotating it at the proper angle to fit my body perfectly. For the hair, I used a grasslike brush and increased the thickness to make it more frizzy and volumized. The mustache and beard were created the same way, except with lower brush thickness and with a grayish tinge to it rather than a full black hue. For further effect, I made a layer mask of a flower necklace and applied that to the main image.
The futuristic version is basically a mutated alien version of myself; I used several random techniques to achieve this effect. I first got a techno background that I made duplicates of and flipped horizontally and vertically to make it more interesting. I then used the Liquefy tool to mutate the eyes, nose, and mouth. After adding some features with brushes here and there, I added a Charcoal effect from the Filter tab, which made the image more grainy and of a black-and-white texture. I finished up by creating a layer mask of an antennae and applying it to the main image. Looking back at the finished image, I don't like the Charcoal effect much, but can't figure out a way to remove it.
The futuristic version is basically a mutated alien version of myself; I used several random techniques to achieve this effect. I first got a techno background that I made duplicates of and flipped horizontally and vertically to make it more interesting. I then used the Liquefy tool to mutate the eyes, nose, and mouth. After adding some features with brushes here and there, I added a Charcoal effect from the Filter tab, which made the image more grainy and of a black-and-white texture. I finished up by creating a layer mask of an antennae and applying it to the main image. Looking back at the finished image, I don't like the Charcoal effect much, but can't figure out a way to remove it.
Thursday, March 3, 2011
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